Ashish, the Geek Wrestler, once asked me for a sort of introduction to Western music. The reason I’m writing this is to save him from metal rock. But the topic is immense and greater than my knowledge, so I guess I can write brief notes on specific aspects, like this one.
One of the characteristics of Western music is polyphony, e.g. music made of melodies that travel independently throughout the composition though harmoniously combined with one another. This whole thing, of combining different melodies together, began in the Middle Ages, possibly by chance, and progressed in the subsequent centuries.
Western music can also be monodic, the opposite of polyphonic, whenever there is either just one melody (monophony) or when a melody prevails over other sounds that serve as mere accompaniment to the main star, the melody itself.
In this nocturne for piano solo by Frédéric Chopin (op. 27 no. 2) we have a cantabile melody, sometimes doubled and with ornaments, accompanied by arpeggios and bass sounds. It is evident here that the melody is the main protagonist, despite the surrounding notes and some voice layering here and there.
Let us first listen to the real thing (we chose Maurizio Pollini for his unromantic interpretation of this romantic work) and we’ll then listen to and view a computer graphical representation of the same work, which favours analysis.
In the computerized version below (by Stephen Malinowski) we notice that the double notes of the melody are not always parallel, which creates like a secondary voice. At the end of the piece there is some slight hint of polyphony. But on the whole this is not a polyphonic piece. Chopin is mainly monodic. Only at the end of his life he inserted some polyphony in his most mature works.
Let us now plunge into the great polyphony of Johann Sebastian Bach (Brandenburg Concerto No.4, iii, Presto.) This music – whose clockwork complexity I hope will not hopelessly bore an unaccustomed ear – is such hard stuff I prefer to propose a computerized version first (also by Stephen Malinowski.)
Different colours and timbers help to mentally separate the different voices. The exercise of following the voices separately is highly educating and can result in great pleasure. No easy thing at first though. I should have chosen a music with less voices (2 or 3 maximum,) but I couldn’t find a Midi music as satisfying as this one, although being able to identify 3 voices (hard already) or just 2 can be all right at first. The representation is what one usually gets on a Midi sequencer, i.e. a computer software, such as Steinberg Cubase.
Now a version with real players (the performers being unknown to me).
The music of Bach here presented is a fugue (or fugato). In a fugue voices (parts) are not all equal. There is a subject or theme (like a main melody) that is repeated many times at different levels of pitch. It is good exercise as well trying to identify, among the bunch of voices, the subject of a fugue whenever it pops up here and there, which is pretty often.
The study and practice of “the relationship between two or more voices that are independent in contour and rhythm” is called counterpoint. It was highly developed during the Renaissance and was common practice later, during the Baroque period (Wikipedia).
Independent in contour and rhythm. Very important in polyphony. If played or sung separately, voices or melodies still make sense!
One last music by this great German composer: the Brandenburg Concerto No.3 – iii, Allegro, rich with tremendous energy and beauty.
1) Because I am a dilettante philosopher who is not content with just blogging. I need a method in my blogging.
2) I had promised a method post, so it is very Roman-like to keep my promise 🙂
Truth being the method governing my posts keeps bugging me since I started this blog, and, needing to process my ideas a bit I propose this posting sequence to readers:
I) a post as a preparation for the method post (ugh!). It’s the present post. I need it for clearing my mind up before the real thing.
II) A post on SEX, as a break. It might help not to lose ALL my readers because of my philosophical manias.
III) The real thing, i.e. the method post.
IV) A second post on SEX, to beg for additional pardon, thus ending this sequence in full regalia.
What do you think? Will you pardon me? Will SEX help?
Rhetorical questions not expecting answers let us put some preparatory ideas together and that the trip begin!
Game of Ideas
with Hidden Links
1) We will touch upon questions from numerous points of view, as if for each topic there were like a dialogue of different opinions in the writer’s mind.
2) A thought in progress where who is writing is gradually clarifying his ideas. Such ideas might contradict one another because the writer is constantly reaching new (sometimes opposite) perspectives, which could baffle the reader but also help her/him understand the complexity of things.
3) A game of ideas, then, with anecdotes and facts only apparently deprived of connections. Such connections (mental links) will sometimes be explicit (said) or implicit (unsaid,) which should bring the reader to make her/his own connections, namely towards creative non-passive reading / thinking.
Well, at least Magister was very successful in this game. But Magister was Magister.
Writing vs Thinking
Writing, thinking, clarifying,
striving to sort out thoughts
in ways so “clear and ordinate”
This, many years ago, Magister counselled
for the good education of the mind.
writer, philosopher, educator…
Writing in fact is a stern discipline linked to the activity of thinking. Writing teaches us how to think in wayssoclear and ordinate. It obliges us to. Reason and word (word = discourse, written or oral) are actually only one word in Greek: λόγος (logos.)
Awkward prose or clumsy oral / written reports often reflect muddled thoughts.
As for the MoR the problem is:
writing in a foreign language makes things harder
we have this fatal attraction for digressions and all their unrestrained associations, ie for chaos (something Magister definitely wouldn’t condone.)
We like both sides of the moon – the dark indistinct and the crystal-clear. We appreciate discipline, clear argumentation, polished sentences, and we also dig lush jungles of words. Examples of both attitudes in art are:
The perfect equilibrium of Western Classical Music: Mozart, Boccherini, Clementi, Haydn and young Beethoven. Or of Italian Opera: Verdi, Bellini, Donizetti etc. wrongly called romantic, since Italian Opera is classical in its nature (and even Puccini is.) Interesting how Italians never totally absorbed Romanticism, their classical heritage and almost inborn sense of taste (and grace) being too tenacious (read here.)
Insane Western Romantic music (later Beethoven, Wagner, Mahler, Scriabin etc.), with a tendency towards excess.
Thus said, will our so-called philosophy be muddled? Will readers think MoR is crazy? I really got no idea, I really got no idea at all.
Note.We just gave above an example of digression + bizarre association. The concepts of writing and thinking were linked with music, two totally different planes of the human experience, although the connection appears evident to me.
“Why the heck are you worried about this roving of the mind? It’s just a blog, go ahead and be crazy.”
True, but the thing is I am a bit ambitious (only a bit, or I will fail). I am actually attempting a research. A research from a man-in-the-street-of-Rome point of view, though a research nonetheless. Thence this roving tendency could turn into a weakness (or into a strength?)
A Philosopher in Every Man
Magister used to say that every person is a natural-born philosopher, ie everyone, during the entire course of his/her life, keeps building a constantly evolving grid of interrelated concepts. This world vision or Weltanschaung (read here) enables us to com-prehend the surrounding world (from Latin comprehendere, cum + prehendere = put together, grasp, or insert into a grid).
Comprehension of the surrounding environment – it implies also better (inter)action within it, the two things going together.
Ok, if this is true of every man (that he is a natural born philosopher,) and, if I am a man, which I certainly am, I should somehow hope to be able to transmit my Roman feel in a sort of organized way. Is that true?
In principle yes, ALL though depending on the degree of discipline, education and availability of time I dispose of.
A Helping Hand
What’s the difference – one might ask – between a philosopher on one hand and a man of the street on the other hand? No difference, except the level of training, skill, specialization that may differ. The philosopher is a pro. Which doesn’t mean the non-pros must shut up. I will not 😉
We should all learn to think (and write) more effectively because it can greatly help us to make our days and guide us in the fundamental choices of our life. The more efficiently we think, the happier we live, classical measure being vital here though: should we think too much and act too little, we can get neurotic, wimpish (the list is long.)
This blog will try to give a helping hand to those who think self-improvement is important and possible.
Reason? Not All
Ideas are now taking shape a bit as regards my future method post. The next writing will though as promised be devoted to SEX, SEX, SEX NOTHING BUT SEX (though in the Roman way.)
In the meanwhile, some additional patience pls.
One can rule one’s chaotic mind with control, writing, striving for some order. But chaos is still there; non rational things, disorder etc. are still there. The guys at the Third Culture are doing some work on this, good idea to have a look at it.
What I do know is we can not live in disorder. We need force, organization, we need to discipline ourselves mostof the time.
Though not all the time.
We also need excess, spring breaks, fun, Carnivals, Saturnalia – a Roman festival (see picture below) where rules were broken: masters became for ex. slaves and slaves masters (see two posts of ours on Saturnalia: 1 & 2).
The Romans were big gurus in the art of living. They ruled the world with humour on their faces and tongue and not with mystical seriousness. While facing the most dreadful tragedies with utmost courage, they preferred comedies.
Reason and order are not all. They can lead to horrors if taken too seriously, a great lesson from the non ideological Romans, that some folks from colder climes do not seem to have quite understood. Taking things zu schwer can call disaster.
Let us then have fun then too! Carnivals are made for that! Look at Rio in Brasil, look at our Spanish cousins! – an economic success [2014 update: well, well, they, we, will rise up again: we are confident] although Madrid has movida every night.
God, how can I finish this never ending blabber?
Perhaps with Coelho‘s beautiful words, from his novel Zahir:
Let us have some respect
for our life on this planet …