Is the Human Mind like a Museum?

As for the human mind, I’ve often thought about the metaphor of the museum.

Our mind, one of the functions of our brain ‘and other parts of our body’ (Sledpress’ objection I found interesting,) contains and allows that we manifest the infinite traces of our past (past conceptions, language, behaviours) from Stone Age or earlier onwards. Evolution enters the equation, but we will leave it alone for now.

Whatever world region we are from, we should be concerned about probing such repository I believe, that is our roots or cultural ID.

Language is an important portion of this ID. What a great digging tool for example etymology is, ie history of words (shown a bit in our previous post, see a good on-line tool) although lots of things are there well beyond words (see points I and IV below.)

Ψ

A few examples, to better understand.

(Italian-mind related, but they could hopefully work as a method example to different minds as well)

I. The Greek fear in gods’ envy, yet present in South Italy and Greece:

“Not long ago my friend Mario took me for a drive on his stupendous vintage 1960 Lancia Flavia (see image below.) Mario is from Naples, a South Italian city founded by the Greeks in the 8th cent. BCE.

On the way back I exclaimed merrily: ‘Diavolo, this car is a gem, it has rolled as smoothly as olive oil!’

Mario snapped with a worried look: “Hush! hush! Don’t you say that!”

I well knew what he meant:

“Oh please you shut the hell up! Do you want the car to break down or anything bad to happen to us?” as if the mere utterance of happiness would attract ill luck or the envy from someone … Well, the envy from whom?

(read more).

The ancient classical Greeks (V cent. BCE) believed their gods lived an eternal blissful life and envied men too prosperous that dared to get close to their happiness. They then humbled and punished them. That ‘too prosperous’ means it was excess and arrogance (ὕβρις) that was basically abhorred by the Olympian gods, which made people afraid of showing their happiness, or of being arrogant. It was like a socio-religious regulation valve, plus a factor without a doubt of the mostly upper-class (tho not exclusively) marvellous ‘5th cent. BC’ Greek perfect equilibrium.

Polycrates tyrant of Samos (where Pythagoras was born by the way) led a too prosperous and arrogant life. Horrible was then his death, Herodotus notes

Now, 2400 years later (!) people in Southern Italy and Greece are still afraid of expressing satisfaction when things are going WELL, lest ‘something’ might spot them and whack them.

Such a great item in their museum mind allow me to say!!

(read more)


II.
Phrases and the Wheel related to the Roman Goddess Fortuna:

  • A personification of Goddess Fortuna (“they invoked their fortune”) seen as something capricious (“the tricks of fortune”) is deeply impressed in modern Western minds and language;
  • The wheel of fortune also used in many popular TV shows is a survival of the goddess, often represented with a wheel at her side (read more)
Spectacular remnants of the Sanctuary to the goddess Fortuna Primigenia in Palestrina (ancient Praeneste), located just a few miles from Rome

III. When we say ‘deep in my heartor ‘she / he broke my heart’ we refer to a scientific superseded idea that the heart, and not the brain, is the seat of emotions. The Stoics saw in the heart the seat of the soul, Aristotle the seat of reason and emotion, the Roman physician Galenus the seat of emotions etc.


IV.
The Roman laughter

“Flavia’s ancient Roman laughter is heard in the room. It is loud, slightly crass, as it should be and as I hope it will ever ever be in the future, somewhat like a sympathetic, warm BIG HUG to the world.”
(from How To Learn Greek and Latin (2). Some Inspiration From Penates etc)

Another great mind item this laughter – I must record it some day – that belongs to the modern Roman mind, certainly not to the Greek one, modern or non modern.

Update
. Here is a sample of such laughter. Click on these words to listen to it: Marina’s (and MoR’s) laughter.

In short, before more details if you will

The γνῶθι σεαυτόν aphorism adapted to our 'museum' concept

There’s like a huge messy archive in our head so stuffed with things that just beg to be organized a bit and come to light.

Let’s get it all out dear readers. With meditation, concentration and fertile idea-exchanging let us make that inventory my good old Mentor used to mention us when we were so young.

As for my own cultural ID, I am trying to dig a bit with the present blog.

Ψ

[see in-depth details from our posts. Skip the first section – similar to the above writing – and start reading from Socrates’ T-shirt big face onwards – like the one above]

Related posts:

Fighting with Grandpa’s tomes. My Parents’ Marriage & the Roman Laughter

Survivals of the Roman Goddess Fortuna

Temple of Fortuna Primigenia in Praeneste
Temple of Fortuna Primigenia in modern Palestrina (ancient Praeneste)
Italian translation

We have been talking about survivals of the Roman religion.

Of the goddess Fortuna or goddess of Luck remain at least today 1) our recurrent personification of Fortune; 2) something of the oracular function of this deity, linked to future-telling; 3) one of her emblems, the wheel, a symbol of mutability in human life.

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1. Personification. When we use phrases like “they invoked their fortune” or “the tricks of fortune” we have here a personification of something capricious which is deeply impressed in our mind and that can be traced back to the ancient Roman goddess Fortuna.

A tetradrachm from Hardrian's (76 – 138 AD) time, with Fortuna holding rudder and cornucopia
A tetradrachm (a silver coin) from Hardrian’s (76 – 138 AD) times, with Fortuna holding rudder and cornucopia. Click for credits and for both sides of the coin

2. Future-telling. Not far from Rome, in Antium and in Praeneste, were two well-known shrines of the goddess Fortuna. The Romans went there to know about their future, among the rest. At the oracle in Praeneste connected to the impressive sanctuary (see remnants on top) of Fortuna Primigenia (the fortune of a firstborn child at the moment of birth), a small boy gave oak rods to temple-goers, called sortes (lots), with words on them that revealed their future.

Similarly, we go today to the ‘fortune teller’ to get predictions about our fortune, namely our future. If these two words, fortune and future, are synonyms in this context it is also because of the ancient oracular (future-telling) role of the Roman goddess Fortune.

Wheel of Fortune in Singapore. Fair use3. The Wheel of Fortune. I think very few spectators of the Wheel of Fortune, one of the most popular TV shows ever produced, suspect they are in front of a fossil from the ancient Romans. Fortuna was in fact often represented standing on a ball or close to a wheel indicating that our future is as uncertain as the random spinning of a wheel (or the random rolling of a sphere.) She also bore a cornucopia, which symbolized abundance, and a rudder as controller of man’s destiny (see Hardrian’s tetradrachm above.)

ψ

Only the wheel though survived and this was probably due, among the rest, to the influence of a great book, Consolation of Philosophy by Boethius, an author descendant of a noble Roman family which issued emperors and consuls.

The tomb of philosopher Severinus Boetius
The tomb of Roman philosopher Severinus Boetius (early 6th cent. AD) in the crypt of the church of San Pietro in Pavia, Italy (Wikipedia: click for source)

Cicero had already mentioned the wheel but it was Boethius’ philosophical work that made the goddess Fortune and her wheel so popular in the Middle Ages (read Boethius’ text here):

I know how Fortune is ever most friendly and alluring to those whom she strives to deceive, until she overwhelms them with grief beyond bearing, by deserting them when least expected … she turns her wheel of chance with haughty hand … This is her sport: thus she proves her power; if in the selfsame hour one man is raised to happiness, and cast down in despair,’ tis thus she shews her might.

The Benediktbeuernm, a monastery founded in 739 AD. The Carmina Burana manuscript was there found, later set to music by Carl Orff. Written mainly in Medieval Latin; a few in Old French and Provençal; some vernacular, Latin, German & French mixed up. Click for credits and to enlarge
The Benediktbeuernm, a monastery founded in 739 AD. The Carmina Burana manuscript was there found, later set to music by Carl Orff. Written mainly in Medieval Latin; a few in Old French and Provençal; some vernacular, Latin, German & French mixed up. Click for credits and to enlarge

We’ll conclude by mentioning how in 1803 AD some mostly-in-Latin medieval poems ( 228 ) were found in the Bavarian monastery of Benediktbeuern.

This collection, written around 1230 and now known as Carmina Burana, satirized the Church and was created by university students at a time when Latin was the European lingua franca. Some poems are dedicated to Fortuna and her wheel.

In 1937 the German composer Carl Orff put into music some of these texts. The most famous composition is “O Fortuna“, incidentally, which opens and closes the work.

While listening you might want to read the Latin original, with an English translation (source.)

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O Fortuna / velut luna
(O Fortune like the moon)
statu variabilis
(you are changeable)
semper crescis / aut decrescis;
(ever waxing and waning;)

vita detestabilis / nunc obdurat
(hateful life first oppresses)
et tunc curat / ludo mentis aciem,
(and then soothes as the sharp mind takes it;)
egestatem, / potestatem
(poverty and power)
dissolvit ut glaciem.
(it melts them like ice.)

Sors immanis / et inanis,
(Fate monstrous and empty,)
rota tu volubilis, / status malus,
(you whirling wheel, you are malevolent,)
vana salus / semper dissolubilis,
(well-being is vain and always fades to nothing,)
obumbrata / et velata
(shadowed and veiled)
michi quoque niteris;
(you plague me too;)
nunc per ludum / dorsum nudum
(now through the game I bring my bare back)
fero tui sceleris.
(to your villainy.)

Sors salutis / et virtutis / michi nunc contraria,
(Fate is against me in health and virtue,)
est affectus / et defectus
(driven on and weighted down,)
semper in angaria.
(always enslaved.)
Hac in hora / sine mora
(So at this hour without delay)
corde pulsum tangite;
(pluck the vibrating strings;)
quod per sortem / sternit fortem,
(since Fate strikes down the strong man,)
mecum omnes plangite!
(everyone weep with me!)

Capitoline She-Wolf. Rome, Musei Capitolini. Public domain

Related posts:

An additional note on Roman Fortuna
Survivals of Roman religion